Tuesday, 1 April 2014

Mel Gibson is Being Considered to Play Lead Role in Action Thriller “Blood Father”

According to a number of media reports, renowned actor and director Mel Gibson is being considered to play a lead role in an action thriller "Blood Father" directed by Jean-Francois Richet, who is well known for films like Mesrine: Killer Instinct, Mesrine: Public Enemy #1, and Assault on Precinct 13.

According to play details, Gibson will be playing a role of an ex-con and former Hells Angel. The film has been described as a Taken-style action thriller. The script will be written by Peter Craig and it will be based on his own novel. Craig is well known script writer as well as novelist. He worked on scripts of various big films including Ben Affleck's "The Town", drafts of Top Gun 2 and "Bad Boys 3".


As per the script, Gibson will be playing an ex-con who joins up his alienated errant 16-YEar old daughter to keep her safe from drug lords who want to exterminate her. We can easily compare this film to the plot of the Renowned film "Taken" which stars Liam Neeson as the lead action hero who saVes her daughter from the criminals who abduct her. Although, story seems quite similar, but Gibson will surely appear with his unique style for this specific role, AND it would be still interesting to watch. We have watched Gibson before in such roles, but still, it must be an entertaining ride.

"Blood Father" has been projected to start filming in May in New Mexico. As the story of Craig's novel goes: Lydia Carson runs away from her home, and at age of 17, she deals with a person who increases his profits with inexplicable acts. One day, she finds herself protecting a home in Topanga Canyon in the course of a shakedown. As fatal hostility goes off, she herself turns out to be a target. She runs away down a rivulet and from the hillsides to the coast–by herself, penniless, and scared. Her final preference is her father John Link who has just been released from jail.

Link saves his daughter, but after some days he becomes conscious that her condition is far more unsafe and complex than he considered. He has to adopt his past wild way of life to look after his daughter, reverting to life-threatening previous friends and places of escape.

Keep in mind that Gibson is in talks so far, he has not been confirmed to play the role. What are your views about this film and if Gibson plays the role?
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Sonos and MLB team up to stream every baseball game this season for $20

Rabid baseball fans who happen to own Son's wireless audio systems have something extra to celebrate this opening day. Sonos has announced a partnership with MLB.com/GameDay that makes streaming audio from any of the MLB's 2,430 regular season games and all post-season games available for a paltry $20.

This is the first dedicated sports service for Sonos, which has seen exponential growth over the last year. 

According to MLB.com, the service provides subscribers with access to audio from any Major League Baseball game with no blackouts, plus the option to listen to home, away, or alternate feeds (when available). According to MLB.com, the game audio will be synced with pitch-by-pitch coverage, and batter and pitcher stats, available via desktop computer application. 

This audio-only service manages to avoid blackouts restrictions where the MLB's video services are otherwise restricted. MLB.TV, and MLB.TV Premium both offer HD video feeds of live games, along with a DVR feature making it possible to pause or rewind live games on a variety of connected devices, including game consoles, Roku, Apple TV, TiVo DVRs, and select smart TVs. Subscribers to the premium video service get the added ability to watch on mobile devices. However, these video services are subject to baseball club blackout rules; the audio service is the only way to ensure live access to every single baseball game played throughout the year. 

Sonos' wireless audio systems allow multi-room audio synced throughout a home for a seamless room-to-room listening experience. Sonos' entry-level Play:1 speakers (reviewed here) are available now for $200 each at Amazon, but will require the purchase of a Sonos Bridge to get up and running. Sonos also makes the popular Play: 3 and Play: 5 speakers for a bigger sound experience, as well as the PlayBar sound bar and Sonos Subwoofer, all of which can be mixed and matched to work together as part of a surround system, or independently for multi-room listening. 
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What an Apple-Comcast deal could mean for the future of TV

Ever since the Walter Isaacson's 2011 biography revealed Steve Jobs believed he had "cracked" the problem of designing an integrated television system, Apple-watchers have been eagerly anticipating an "iTV." Whether it's in the form of set-top box the company had been peddling as a "hobby" until recently, or a full-fledged television, the idea is the same: Apple revolutionizing the living room the way iPod did for music players, the iPhone did done for smartphones, and the iPad did for tablets. And now the Wall Street Journal reports that Apple is in talks with cable giant Comcast about offering a streaming TV service that would offer live and on-demand content, leapfrogging other Internet video services. Many people are trying to connect the dots.

There's little doubt television could do with some revolutionizing. Apple might be the company to do it, with elegant design and ease-of-use. But how would a partnership with Comcast solve anything? And wouldn't putting Apple in Comcast's fast lane serve a blow to net neutrality principles?

How would an Apple-Comcast service work?

Almost everything about an Apple-Comcast television service is guesswork at this point – and, unsurprisingly, neither Apple nor Comcast are talking about it. (Comcast declined to comment for this story; Apple did not respond to requests for comment.) According to the WSJ, the service would encompass both traditional cable offerings of live television and on-demand content, which are delivered digitally over Comcast's cable television service, as well as access to digital video from the cloud.

Comcast's image would benefit from associating with Apple's famously high quality – and famously loyal customers.

Moreover, Apple apparently wants to bypass the public Internet and deliver non-Comcast content via the network technologies Comcast uses for its own video and data services. Bandwidth there can be considerable: Comcast's premium X1 cable boxes (available in some markets) pack five tuners, so users can record four HD programs at once while watching a fifth. Try doing that on your broadband connection.
This description matches the "broad parameters" of discussions Apple had with Time Warner Cable dating back to at least September of 2013, according to two sources with some knowledge of those talks. (Comcast is now moving to acquire Time Warner Cable for $45 billion.) Apple also reportedly had discussions with DirecTV.

This arrangement points to Apple developing a device that would function as a drop-in replacement for a Comcast set-top box. However, in addition to live television and video-on-demand, the cloud component means users would likely be able to access streaming video services, iTunes (to view, rent, or buy content) and iCloud (for a user's own photos, videos, and music). Presumably all this would be presented via an integrated interface: live television, on-demand, cloud-based content (and, likely, DVR recordings), and personal media and apps all presented and managed seamlessly side-by-side.

How would this be better than an Apple TV?

Right now, Apple TV offers access to content from Disney (and subsidiaries like ABC and ESPN), PBS, HBO, Bloomberg, Sky News, and others, but access can be painful: users have to authenticate with different channel apps to prove they have an eligible cable or satellite subscription. Partnering with a cable provider could make the experience seamless: all eligible content would just work.

The rest of the magic might be behind the scenes. If Apple can get in Comcast's fast lane network, Apple's service would be head-and-shoulders above competitors like Amazon, Google Play, Sony, and Netflix. Apple's service wouldn't have to slog over the public Internet: it would just be faster and more reliable, particularly at peak hours. And, presumably, Apple's service would be exempt from Comcast's 250GB monthly bandwidth cap. All this would be important for 4K video streaming – that's not really happening yet, but it's on the horizon.

The benefits would likely extend to users in other ways as well. Miss an episode of your favorite show? A combined service could show you not only when the episode airs again (so you can set up a recording), but also provide direct access to it on iTunes or on-demand services (so you can watch it immediately). Thinking of renting a kids' movie on iTunes for the wee ones? The service could let you know the same movie is available cheaper (or maybe for free) via on-demand. Apple could leverage Comcast's X2 capabilities (or its own iCloud services) to offer access to your DVR recordings on iOS devices on the go.

This is all speculation, however – and, according to Comcast contacts not involved with discussions with Apple, would require Comcast to engineer and support new capabilities: it's not stuff they have baked into their service now. But Apple has gone that route before: the iPhone's visual voicemail was only possible in 2007 because Apple worked with AT&T to get capabilities installed and running.

Do Apple and Comcast need each other?

A partnership between Apple and Comcast could solve major problems for both companies – but that doesn't mean it would be smooth sailing.

Right now there are no net neutrality rules in the United States.

For Apple, partnering with Comcast would not only solve bandwidth constraints, but would also side-step content licensing issues. If Apple wanted to develop its own live TV and video-on-demand service, it has to license television and movie content directly from the media companies that create it. That might be easy with Disney – a long-time Apple partner – but will be tough with almost everyone else. Big Media companies are wary of signing licensing deals with Apple. They saw what happened when Apple convinced music labels to sign on with iTunes (Apple became the dominant music distributor, then strong-armed labels into giving up their precious DRM) and Newsstand (Apple doesn't give publishers demographically-valuable subscriber data unless customers intentionally share it). Movie and television studios don't want to be trapped in an Apple ecosystem. Partnering with Comcast takes Apple out of the equation, since Comcast would handle the content licensing.
There's another elephant in the room. If Apple wants a nationwide rollout, Comcast is the only game in town. Comcast is already in 31 of the 50 largest metropolitan markets in the United States. If Comcast succeeds in acquiring Time Warner Cable, it will be in 43 of the top 50 markets. Comcast's footprint is far larger than any other U.S. cable provider.

Does Comcast need Apple? Arguably, not very much. The company is making steady progress with its own platform, with its multi-tuner X1 systems and making DVR recordings available via the cloud. Comcast is expanding by buying Time Warner Cable, and it's milking its position as gatekeeper to a large portion of the U.S. cable market to extract money from the likes of Netflix – sour grapes notwithstanding.

But at the same time, Comcast gets little love. For years, its customer satisfaction ratings were lower than even the Internal Revenue Service (last year Comcast improved to 63 out of 100 on the American Consumer Satisfaction Index). Things got so bad in 2010 that Comcast rebranded its services as Xfinity to put some distance between the company and Comcast's bad name. There's no question that Comcast's image would benefit from associating with Apple's famously high quality – and famously loyal customers.

Comcast has another worry: cord-cutters. Leading cable companies lost 1.7 million subscribers in 2013 as consumers (particularly young consumers) cancelled expensive cable television in favor of services like Netflix, Hulu, and Xbox Live. The trend isn't enough to make Comcast quake yet, but launching a service with Apple might be a way to persuade some would-be cord-cutters to stick with Comcast – or even upgrade to get the new Apple service.

What about net neutrality?

Would a deal letting an Apple TV service leapfrog the public Internet be a violation of net neutrality? Maybe, maybe not.

Apple apparently wants to bypass the public Internet.

Right now there are no net neutrality rules in the United States: most of its principles are only in place through providers' goodwill. Although the FCC is hoping to put new "Open Internet" rules in place this year, they will almost certainly be challenged by the likes of Comcast and Verizon. That means the net neutrality debate is probably years from being resolved – and technology is going to keep advancing in the meantime.
Comcast has promised to abide by net neutrality provisions through 2018 as a condition of its 2014 acquisition of NBCUniversal. However, if the company's recent deals with Netflix (for preferred access) and Microsoft (so certain video program is exempt from data caps) don't violate those principles, it's unlikely a deal with Apple would be any different, since it seems to leave Comcast's handling of the public Internet untouched.

Sticking points

Nobody thinks a deal between Comcast and Apple is imminent, and it may never happen. Money is sure to be a tough point – particularly if Comcast wants to offer an Apple service exclusively. (Apple might be willing to consider an exclusive window: they did it with AT&T and the iPhone.) Another issue is whether users are Apple customers or Comcast customers: who would they pay? To offer integration, Apple needs customers to use their Apple IDs, and is famously stingy about sharing that information with partners. Comcast, conversely, undoubtedly wants to retain control of customers, their payments, and their data. Let's not forget cable boxes are a gold mine of demographic and viewer information for cable companies.

Any way you slice it, some unified convergence of live, on-demand, recorded, purchased, and streaming content is the next step for television – many would add gaming to that. While many products combine some of these elements – TiVo, Xbox One, PlayStation 4, cable and satellite services – none bring them all together, and precious few integrate the parts well. If Apple can pull that off with the same sort of panache that launched the iPhone and iPad, the company might just be able to re-invent TV – and put off the "Apple needs a new product right now!" naysayers for a month. Maybe two.
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BMW finally confirms the X7 full-size SUV

BMW confirmed the all-new X7 full-size SUV last week. It went as far as to set a 2016 production date, which will commence in Spartanburg, South Carolina.

Based upon an extended version of the X5 platform, the range-topping crossover will compete against cars like the Mercedes-Benz GL-Class, the Cadillac Escalade, and the Range Rover.

Frankly, I am surprised it took this long to bring the X7 to market. BMW's chief competitors had been doing quite well with their full-size luxury family haulers. I wonder why it took Bimmer so long to jump on the bandwagon.

We speculated last week that the X7 would be aimed at the up-and-coming markets, like China, India, and Russia. With production slated for South Carolina, though, I wonder if most X7 sales will initially take place Stateside, much like the Alabama-built Mercedes GL.

Another theory we threw around is that the rumored Rolls-Royce SUV would ride on the X7's platform. While that is still a possibility, I expected the Roller to feature a bit more bespoke chassis than that of a lengthened X5. Likely, few Rolls buyers will know the difference between a distinctive platform and that of a Bimmer-sourced unit. So, why not?

If the X7 looks anything like the Autocar-created rendering above, which is far more masculine and menacing than the GL, it should sell well indeed.

As soon as we learn more of the big-time Bimmer, we'll be sure to bring it to you, so be sure to check back soon.
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Your selfies can now unlock content on your iPhone (please, no duckface)

As if selfies weren't ubiquitous enough, a new app called FaceCrypt now allows you to unlock your content on your phone by taking a snapshot of your face.

"Basically, you take a selfie, as it's called, and it's a biometric and it will recognize you … That's the key method to getting to the application," said FaceCrypt CEO Jeremy Rose in an interview with Fox Business.

FaceCrypt does not lock down specific apps, instead it locks down the FaceCrypt app itself. The app contains what the company calls vaults, which can contain everything from apps to photos. Aside from facial recognition, FaceCrypt also makes use of pattern and password locks. According to CNet, the previous version of the app was only accessible through a protected Web site in a standard browser. Facecrypt made the process more secure in the new version by introducing its own embedded browser.

The app is only available for iPhones and iPads. Facial recognition is already built into some Android phones through Face Unlock. In theory, a person can take a photo of you and use it to fool the facial recognition feature. However, the photo needs to be very clear and show your full face. To address this, FaceCrypt included a "liveness detection" feature. It basically checks on eye blinks to make sure the face in front of it is attached to a living, breathing person.

The app comes in three variants. There's a free version that requires in-app purchases, a $5 basic version, and a $7 plus version. There's no word yet on whether duckface affects the app's effectiveness. For the sake of mankind, we hope it does.
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Monday, 31 March 2014

I was okay kissing in front of my father: Varun Dhawan

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Actor Varun Dhawan has five kissing scenes in his forthcoming film, Main Tera Hero, directed by his father David Dhawan. Interestingly, the young actor
finds nothing wrong in locking lips onscreen "in the 21st century".

In the promos of the film, the Student Of The Year (2012) fame actor can be seen locking lips with his co- star Ileana D'Cruz. "I was okay kissing in front of my father," says Varun.

"It's an important part of the climax. There are five kisses in the film," he adds.

The 26-year-old further adds that "it's high time" people stop creating hype over a kiss in a film. "I think in today's day and age, in the 21st century,
it's fine. What's the big deal in it?" he asks.

"It is just a kiss. It is just an expression of love that the two characters are feeling at that time," he adds.
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